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I also like to use the standard weight map to help control sup-patching. I seldom drift above 40% or below -40%, because the weighting is not edge-based but point based.
Red is positive (sharper edges), blue negative.
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To smoothShift the nostrils you have to temporarily deactivate [symmetry] and delete the half you'd like to mirror. LW will shift all connected polygons, so its only logical that you'd end up with a Cyclone-Schnauze!
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Taking a step back I see areas where more detail is needed. In this case around my mouth.
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Now for the windows to my soul! It figures that those polys are a mess! Select 'em, and spin them into shape!
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I often turn off sub-patch to get a better view [tab]. Ahh. I can recognize my penetrating gaze already!
Two smoothShift functions later...
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My brow needs another line of detail, its lack was bothering my eye for my eyes...
... now I can BandSaw to my heart's content
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... which I do. And I tweak alot. Did I mention that?
The eye is easy: a primitive sphere, slice the cornea and stretch them inward to create the typical bulge.
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The End ...
So,
that didn't take long at all!
What? No ears?
You can easily create cartoonish ears with these same techniques, or get a real earful of higher detail modeling with my
detail-up tutorial COMING SOON ...
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Related links ...
The online portfolio of ::: David Maas :::
email :
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